Stella Donnelly - Flood - Cassette Tape

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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnellyโ€™s record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around.

Donnellyโ€™s early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a border-restricted world. By paying closer attention to the natural world around her, Donnelly recalls โ€œI was able to lose that feeling of anyoneโ€™s reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self.โ€

Reconnecting with this โ€˜small selfโ€™ allowed Donnelly to tap into creative wells she didnโ€™t know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market.

Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethylโ€™s Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could โ€œdig inโ€ and discover a โ€œforward-leaning soundโ€ sheโ€™d been searching for, while Lavertyโ€™s ability to โ€œcapture the pianoโ€ and discern the โ€œperfect takeโ€ allowed the songwriter to take risks, many of which have clearly paid off.

Looking back at the Banded Stilt, Donnelly ultimately appreciates how when โ€œseen in a crowd they create an optical illusion, but on its own itโ€™s this singular piece of art.โ€ While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, itโ€™s well worth diving in.

Genre: Singer Songwriter
Label: Secretly Canadian

Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnellyโ€™s record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around.

Donnellyโ€™s early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a border-restricted world. By paying closer attention to the natural world around her, Donnelly recalls โ€œI was able to lose that feeling of anyoneโ€™s reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self.โ€

Reconnecting with this โ€˜small selfโ€™ allowed Donnelly to tap into creative wells she didnโ€™t know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market.

Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethylโ€™s Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could โ€œdig inโ€ and discover a โ€œforward-leaning soundโ€ sheโ€™d been searching for, while Lavertyโ€™s ability to โ€œcapture the pianoโ€ and discern the โ€œperfect takeโ€ allowed the songwriter to take risks, many of which have clearly paid off.

Looking back at the Banded Stilt, Donnelly ultimately appreciates how when โ€œseen in a crowd they create an optical illusion, but on its own itโ€™s this singular piece of art.โ€ While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, itโ€™s well worth diving in.

Genre: Singer Songwriter
Label: Secretly Canadian

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Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the regionโ€™s sonic possibilities. Singer/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020โ€™s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their ownโ€”Bridges calls it โ€œmore introspective,โ€ while Khruangbin bassist Laura Lee says it โ€œfeels more night time.โ€

When Texas Sun was released, AllMusic called the results โ€œintoxicatingโ€ and Paste noted that โ€œtheir talents and character go together so well.โ€ Now comes the next stageโ€”a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves.

Significantly, both partiesโ€™ musical directions were clearly affected by their time working together. Khruangbinโ€™s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Diggerโ€™s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan.

Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. โ€œAs far as an essentially instrumental band, these guys are kind of the top for me,โ€ says Bridges. โ€œIโ€™m honored to have been the first singer that theyโ€™ve incorporated in their music.โ€

โ€œIt feels really special to me,โ€ says Lee. โ€œItโ€™s not Khruangbin, itโ€™s not Leon, itโ€™s this world we created together.โ€


  1. Doris: 03:50

  2. B-Side: 04:34

  3. Chocolate Hills: 03:10

  4. Father Father: 05:53

  5. Mariella: 05:10